Tuesday, February 12, 2019
Hitchcock, The Artist :: essays research papers
Hitchcock, The artisan rear end of a Doubt was one of those movies I would flip right-hand(a) past if it happened to be on television. If I knew that it was a Hitchcock film, perhaps Id pause for a few seconds to see if it looked scary. If it didnt charm me within those few seconds, Id cruise right by until I found MTV. But, being somewhat forced to watch Shadow of a Doubt in class, I had no choice early(a) than to buckle downcast and pay attention. I was pleasantly surprised. I judge some twists and turns, since it is an Alfred Hitchcock film. I didnt expect the suspense or the romance. It was surprisingly entertaining in both plot and dialogue. I could tell by the many various film elements that this was a trademark Hitchcock film. Shadow of a Doubt is an Alfred Hitchcock wager of art, because of its originality, openness to interpretation, and different approach to suspense. A naturalise of art is defined by Encarta Encyclopedia Online as something made or done exceptio nally well. This film was unquestionably done well, if not exceptionally well. But, what does done well mean? I think it means that the work is completed fully with the best efforts of everyone involved. Not only is it fully researched, scarce meticulously planned and painstakingly designed. Therefore, the work in question is more(prenominal) like a child to those who created it, rather than a work of art. It contains their blood, sweat, and tears, and perchance a little insight into their minds. So, in the case of Shadow of a Doubt it is a work done well, by Alfred Hitchcock. Hitchcock was quoted in a 1998 review of Shadow of a Doubt, by Ted Prigge as facial expression he enjoyed playing the audience like a piano. Hitchcock did this almost effortlessly in this film (1). He had the ability to scare people, without shoving horror down their throats. Its what separated him from any other director of suspense he knew the mystic to scaring people was preying on real human emotions (1). His subtlety is what took Shadow of a Doubt from an everyday movie to an intricate thriller. Movies of the past had a different approach to scaring the audience. In the 20th century, scary movies were more than entertainment. They were designed to stimulate the viewer into buying the action figures and tee shirts that the movie had spawned.
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