
The starting line mirror of the movie is that of the already commented sequence of the bus mail which Noodles sees his face of an rare man reflected on to the sound of yesterday (from which Morricone conveniently eliminates the lyrics with the excommunication of the first word: Yesterday, in enact to make us recall the song and recognize that we dont reckon the lyrics anymore) ;in a first moment the spectator could realise the look of Robert De Niro as nostalgia of a lost youth, something that the music contributes to, stock-still a repeated vision of the film allows us to find his heed as a remembrance of the words the electric shaver Deborah told him cubic decimeter years back, but forward in the film, in scarecrow of a mirror like this: Look at yourself in the mirror, Noodles obliging him cruelly to face his reality, hitting him with her high graphic symbol as an unrea chable beauty and as a disposition who wi! ll be able to succeed. The bitter descry of this teenage Noodles in the second mirror is, in fact, the same gaze of... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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